Bio
Graciela Gonçalves Da Silva (Animalitoland) creates emotional fables where graphic discipline and painterly intuition merge. Trained in design at UBA and currently pursuing a Master’s in Research through Artistic Practice at UNVM, she works across intimate canvases and monumental murals, translating complex inner states into vibrant characters that feel both stylized and deeply human.
Her practice is shaped by a life of movement, having lived across cities like Buenos Aires, Madrid, Vancouver, and Los Angeles. This nomadic perspective, blended with the narrative economy of comics and the vitality of street art, has led to over 60 murals and exhibitions across Argentina, Spain, Portugal, Italy, France, Belgium, Germany, Ireland, Norway, Sweden, Hungary, Estonia, Qatar, China, Canada and USA. She has presented at Pictoplasma Berlin, held a solo show at Madrid’s Swinton Gallery, and been featured in specialized publications such as Street Art by Women: 50+ Essential Contemporary Artists (Hoaki Press).
Moving forward, her work focuses on artist-led mediation, where the act of painting becomes a catalyst for community reflection. By turning the creative process into a collective space, she continues to develop a visual language that bridges professional craft and human connection, asking a central question: How can art help us feel at home in our own skins?


Statement
I paint emotions as if they were beings: fantastical yet familiar, shaped by saturated color, shifting light, and distilled form. They arrive without invitation or explanation, yet I make room for them. Emotions influence how we shape reality itself; to understand them is to understand how we live.
My process is a dialogue between impulse and clarity. The child in me pushes toward raw expression, while the designer edits, simplifies, and builds structure. From that tension emerges a visual language that feels both intuitive and deliberate, immediate yet resonant.
My background in animation pulses through this language, together with the colors and rhythms of my Latin American roots, and my nomadic journey across the world. These influences allow me to merge the vitality of popular culture with the depth of emotional inquiry, offering images that do not just represent feelings but give them a body. In doing so, the personal becomes collective, an invitation to recognize ourselves in the emotional terrain we all share.
Gallery Exhibitions
Thinkspace Projects (Los Angeles, US)
Meliorism (2026) • Empower (2026) • SMOL 2.0 (2025) • The Earth Laughs In Flowers (2025) • Stand Strong (2025) • Elevate (2025) • Hawaii Walls (2024, 2025)
Modern Eden Gallery (San Francisco, US)
The Tropics (2024) • The Portrait Show 12: Myths (2024) • Covers (2023)
Gallery Ergo (Seattle, US)
PsycheDelicatessen (2025) • Meow Brow (2025, 2024)
Swinton Gallery (Madrid, ES)
Monopoly Urbano (2022) • CU4TRO Anniversary (2018) • El color de la creatividad (2018) • Crashers (2017) • Hybrid Art Fair (2017) • Urvanity Art Fair (2016) • Corteza Invisible (Solo Show, 2016)
Public Art
World Wide Walls
Long Beach, US (2026) • Doha, Qatar (2025) • Antelope Valley, US (2024)
Color Way of Love (China)
Shanghai (2025, 2022, 2018, 2017) • Chengdu (2019)
Artscape (Sweden)
Borås (2021) • Lilla Edet (2019) • Gothenburg (2016)
Festival Asalto (Zaragoza, ES)
Zaragoza (2018) • Alfamen (2017)
Press & Media
Publications
“Street Beauty”, Goff Books (2025) • “Street Art by Women, 50+ Essential Contemporary Artists”, Hoaki Press (2023) • “Street Art”, Lonely Planet (2017)
Interviews
Nómada Cultural (2025) • Voyage LA (2025) • Off the Easel Podcast (2024)
Talks
Madrid Street Art Project (Madrid, 2018, 2017, 2015) • Pictoplasma Conference (Berlin, 2015)
