Bio
Graciela Gonçalves Da Silva (Animalitoland) is an Argentine visual artist whose work explores how images can create meaningful encounters between people, emotions, and public space. Trained in Graphic Design at UBA and currently pursuing a Master’s in Research through Artistic Practice at UNVM, she creates intimate paintings and large-scale murals through stylized characters and vibrant color.
Over the past twelve years, living across Argentina, Spain, Canada, and the United States has shaped both her artistic practice and the questions that drive it. Repeatedly moving between cultures taught her that every community has its own emotional vocabulary, yet many of the feelings beneath those words are deeply familiar. That experience transformed public art, for her, into a way of listening before speaking.
Her work has resulted in more than 60 murals and exhibitions across Europe, the Americas, Asia, and the Middle East. She has presented at Pictoplasma Berlin, held a solo exhibition at Madrid’s Swinton Gallery, and been featured in publications including Street Art by Women: 50+ Essential Contemporary Artists (Hoaki Press).
Today, she expands her practice through artist-led mediation, exploring how the act of making images can become a shared space for reflection, connection, and emotional learning, while continuing to ask a simple question: How can art help us feel at home in our own skins?


Statement
I paint emotions as if they were beings: fantastical yet familiar, shaped by saturated color, shifting light, and distilled form. They arrive without invitation or explanation, yet I make room for them. Emotions influence how we shape reality itself; to understand them is to understand how we live.
My process is a dialogue between impulse and clarity. The child in me pushes toward raw expression, while the designer edits, simplifies, and builds structure. From that tension emerges a visual language that feels both intuitive and deliberate, immediate yet resonant.
My background in animation pulses through this language, together with the colors and rhythms of my Latin American roots, and my nomadic journey across the world. These influences allow me to merge the vitality of popular culture with the depth of emotional inquiry, offering images that do not just represent feelings but give them a body. In doing so, the personal becomes collective, an invitation to recognize ourselves in the emotional terrain we all share.
Gallery Exhibitions
Thinkspace Projects (Los Angeles, US)
Meliorism (2026) • Empower (2026) • SMOL 2.0 (2025) • The Earth Laughs In Flowers (2025) • Stand Strong (2025) • Elevate (2025) • Hawaii Walls (2024, 2025)
Modern Eden Gallery (San Francisco, US)
The Tropics (2024) • The Portrait Show 12: Myths (2024) • Covers (2023)
Gallery Ergo (Seattle, US)
PsycheDelicatessen (2025) • Meow Brow (2025, 2024)
Swinton Gallery (Madrid, ES)
Monopoly Urbano (2022) • CU4TRO Anniversary (2018) • El color de la creatividad (2018) • Crashers (2017) • Hybrid Art Fair (2017) • Urvanity Art Fair (2016) • Corteza Invisible (Solo Show, 2016)
Public Art
World Wide Walls
Long Beach, US (2026) • Doha, Qatar (2025) • Antelope Valley, US (2024)
Color Way of Love (China)
Shanghai (2025, 2022, 2018, 2017) • Chengdu (2019)
Artscape (Sweden)
Borås (2021) • Lilla Edet (2019) • Gothenburg (2016)
Festival Asalto (Zaragoza, ES)
Zaragoza (2018) • Alfamen (2017)
Press & Media
Publications
“Street Beauty”, Goff Books (2025) • “Street Art by Women, 50+ Essential Contemporary Artists”, Hoaki Press (2023) • “Street Art”, Lonely Planet (2017)
Interviews
Nómada Cultural (2025) • Voyage LA (2025) • Off the Easel Podcast (2024)
Talks
Madrid Street Art Project (Madrid, 2018, 2017, 2015) • Pictoplasma Conference (Berlin, 2015)
