Bio

Graciela Gonçalves Da Silva (Animalitoland) creates emotional fables where graphic discipline and painterly intuition merge. Trained in design at the University of Buenos Aires, she works across both intimate canvases and monumental murals, translating complex emotions into vibrant, stylized characters that are precise yet deeply human.

Born in Argentina and shaped by journeys across continents, her practice draws from comics’ narrative economy, street art’s vitality, and the dissonance of existing between cultures. This hybrid approach has led to over 60 murals worldwide and exhibitions across Argentina, Spain, Portugal, Italy, France, Belgium, Germany, Ireland, Norway, Sweden, Hungary, Estonia, Qatar, China, Canada and USA. She has presented at Pictoplasma Berlin, held a solo show at Madrid’s Swinton Gallery, and been featured in publications such as Street Art by Women: 50+ Essential Contemporary Artists (Hoaki Press).

Now based in Los Angeles after years living in Madrid, Vancouver, and Buenos Aires, Graciela continues to evolve a visual language that asks: How can art help us feel at home in our own skins?

 
Artist Graciela Goncalves Da Silva (Animalitoland) in her vibrant studio, surrounded by her colorful, stylized paintings, holding a paintbrush and looking thoughtfully towards natural light.

Statement

I paint emotions as if they were beings: fantastical yet familiar, shaped by saturated color, shifting light, and distilled form. They arrive without invitation or explanation, yet I make room for them. Emotions influence how we shape reality itself; to understand them is to understand how we live.

My process is a dialogue between impulse and clarity. The child in me pushes toward raw expression, while the designer edits, simplifies, and builds structure. From that tension emerges a visual language that feels both intuitive and deliberate, immediate yet resonant.

My background in animation pulses through this language, together with the colors and rhythms of my Latin American roots, and my nomadic journey across the world. These influences allow me to merge the vitality of popular culture with the depth of emotional inquiry, offering images that do not just represent feelings but give them a body. In doing so, the personal becomes collective, an invitation to recognize ourselves in the emotional terrain we all share.

Gallery Exhibitions

Thinkspace Projects (Los Angeles, US)
Empower (2026)  SMOL 2.0 (2025) • The Earth Laughs In Flowers (2025) • Stand Strong (2025) • Elevate (2025) • Hawaii Walls (2024, 2025)

Modern Eden Gallery (San Francisco, US)
The Tropics (2024) • The Portrait Show 12: Myths (2024) • Covers (2023)

Gallery Ergo (Seattle, US)
PsycheDelicatessen (2025) • Meow Brow (2025, 2024)

Swinton Gallery (Madrid, ES)
Monopoly Urbano (2022) • CU4TRO Anniversary (2018) • El color de la creatividad (2018) • Crashers (2017) • Hybrid Art Fair (2017) • Urvanity Art Fair (2016) • Corteza Invisible (Solo Show, 2016)

Public Art

World Wide Walls
Doha, Qatar (2025) • Antelope Valley, US (2024)

Color Way of Love (China)
Shanghai (2025, 2022, 2018, 2017) • Chengdu (2019)

Artscape (Sweden)
Borås (2021) • Lilla Edet (2019) • Gothenburg (2016)

Festival Asalto (Zaragoza, ES)
Zaragoza (2018) • Alfamen (2017)

Press & Media

Publications
“Street Beauty”, Goff Books (2025) • “Street Art by Women, 50+ Essential Contemporary Artists”, Hoaki Press (2023) • “Street Art”, Lonely Planet (2017)

Interviews
Voyage LA (2025) • Off the Easel Podcast (2024)

Talks
Madrid Street Art Project (Madrid, 2018, 2017, 2015) • Pictoplasma Conference (Berlin, 2015)